Through the course of 2001, our many photographers
were present at over fifty events, running and otherwise, and took
over almost 2,000 photos for the website. At the end of 2001,
this web site has more than 6,400 photos.
Following our strong tradition (see 2000,
1999 and 1998),
we have selected our favorite photos of the year. The rule
of selection is simply this one --- there is no rule of selection!
If you insist on an explanation, then certainly the visual quality
of these photos was important. But, above all, we felt that
these photos conveyed some essential qualities of the subjects.
When we look at these photos, now and later, they remind us fondly
of these people who have made running so much more enjoyable for
us. In return, we would also like to think that we have made
them happier as these pictures (or, at least, most of them) suggest.
Here they are:
PHOTO:
At the Chicken Soup Loop 10K, Michele Tagliati got
some extra motivation by being chased by a snow removal vehicle.
By now, Michele has set himself with a reputation of being pursued
by public service vehicles. A top 10 favorite photo
for 1997 had him being chased by a police vehicle with flashing
lights at the Holiday 4 Mile Run. Since he is a medical
doctor himself, his chances of being chased by an ambulance is remote
and chasing ambulance would be a different theme. So we'll
have to work on a fire engine next (are you listening, John "The
Fireman" Gleason?)...
PHOTO:
What we avoid like death and taxes are those photos of people standing
in rigid poses for the photographer. Instead, we know that
our subjects will fled at the sight of our photographers, so we
must resort to sneak attacks. Nevertheless, there are still
moments when social obligations force us to work in the traditional
setup. This is a photo of Stacy Creamer, Amy Sheeran,
Audrey Kingsley and Margaret Angell picking up their
trophies after the New York Women's Mini Marathon. This photo
breaks out of the traditional straitjacket, but only because the
subjects truly SPARKLE!!! This photo also demonstrated the
fact that our runners are actually not well-practiced in the art
of stationary posing --- Stacy and Margaret must learn not to place
their trophies in front of the Central Park Track Club letters on
their singlets!!!
PHOTO:
Unfortunately, running is not all fun. It can be VERY PAINFUL
in a race. This is a photo of Richie Borrero at the
end of the Al Gordon 15K. Sarah Gross observed, "Everyone
should look like Richie at the end of the race." What
a marvelous idea!?
PHOTO:
Paul Sinclair notes at the Joe Kleinerman 10K at the
end of the year: "I just got a team singlet, and now all of
a sudden I get about 87 photos taken." Conversely, we
should add, you are nobody if you don't wear that singlet.
PHOTO:
This is our legendary Wall of Orange picture, featuring Margaret
Angell, Tyronne Culpepper, Harry Morales, James
Siegel and (out of orange) Ramon Bermo and Patrick
Cowden. After you've seen this picture, you cannot possibly
conceive that long-distance running is a lonely experience.
PHOTO
At this year's New York City Marathon, Craig Chilton was
patient enough to follow teammate Alan Ruben as long as possible
(10K split: Alan 36:35, Craig 36:45; half marathon split: Alan 1:17:31,
Craig 1:17:35. At the 8 mile mark, Craig has this mysterious
smile. What was going on through his mind? (1) "Ah,
I made it through 8 miles without losing Alan over the horizon."
(2) "Whew, that was a loud Central Park Track Club cheering
contingent at the turn." (3) "Wow, we're running with
Joan Samuelson!"
PHOTO:
This is a long-range zoom shot from a brand new digital camera of
Stacy Creamer winning the Central Park Triathlon. All
of the elements are in place --- the overhead banner, the clock,
the ribbon, the upraised arms. This was a particularly gratifying
win, since Stacy had finished in second place in the same race the
four preceding years, to a different person each time.
PHOTO:
It may be perhaps unfair to choose only the photo of Kevin Arlyck
from the album for the Peter McArdle Cross
Country 15K. This was the longest distance cross country
race on the race calendar, and it provides wonderful photo ops as
the runners are strung out on the grass field. These photos
brings out the best in cross country racing --- serene surroundings
and hard running.
PHOTO:
Traditionally, we sometimes have a separate section for the kids.
But we looked at this photo of Rhya Gwendolyn Evans again
and again, but there was just no way that we could exclude this
from our top ten list.
The tenth slot is left blank, for the void of the
World Trade Center towers and 5,000+ people ...
PHOTO:
The eleventh photo was voted by the subject himself. Ordinarily,
we would not include photos of people not wearing our team uniforms
during races. But Bill Haskins explained: "Finally,
a photo of me! Alas, I can prove that I am a runner --- I
was running on air and my hair was flying straight up. The
next day after that photo was published, I emailed 50 friends and
family members to look for it. This is the photo of the year
for me."
A Photograph is Not an Opinion.
Or is it? (by Susan Sontag)
One of the tasks of photography is
to disclose, and shape our sense of, the variety of the world.
It is not to present ideals. There is no agenda except diversity
and interestingness. There are no judgments, which of course
is itself a judgment.
And that variety is itself an ideal.
We want now to know that for every this there is a that.
We want to have a plurality of models.
Photography is in the service of
the post-judgmental ethos gaining ascendancy in societies whose
norms are drawn from the practices of consumerism. The camera
shows us many worlds, and the point is that all the images are
valid. A woman may be a copy or a beauty queen or an architect
or a housewife or a physicist. Diversity is an end in itself
--- much celebrated in today's America. There is the very
American, very modern faith in the possibility of continuous self-transformation.
A life, after all, is commonly referred to as a lifestyle.
Styles change. This celebration of variety, individuality,
of individuality as style, saps the authority of gender stereotypes,
and has become an inexorable counterforce to the bigotry that
still denies women more than token access to many occupations
and experiences.
That women, in the same measure as
men, should be able to fulfill their individuality is, of course,
a radical idea. It is in this form, for better and for worse,
that the traditional feminist call for justice for women
has come to seem most plausible.
GREAT PHOTOS, BUT EXCLUDED FROM COMPETITION
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